Alexis Finet
Alexis Finet is the Assistant Professor of the Practice in the Instruction of French, and French Language Program Director at Vanderbilt University. A native of France, he has taught languages and music over the last two decades, from younger audiences to seniors, nationally and internationally: in France, Colombia, Japan, South Mississippi, North Florida, and more recently, in Nashville, since he has joined the Vanderbilt French & Italian department in the Fall of 2022.
His research interests are threefold: Congolese Studies, with an emphasis on music and songs of the Congolese diaspora across Europe and the United States; Second Language Acquisition, with a particular interest in the use of music and the implementation of innovative teaching methodologies such as the gamification of instruction for skill-awareness and idiosyncratic growth; and last, translation studies of Amazon realities, but also and more generally applied to the understanding of Caribbean and South American cultures through a transatlantic lens, which closes the loop by tying into his research in Congolese Studies.
As a musician, he performs on the flute regularly, from Caribbean and South American music and songs to Celtic music, including Classical in which he was initially trained in the Conservatoire d’Orléans (France). He currently sits as an editorial member of the Colombian journal Presencias, Saberes, y Expresiones published by the Universidad de Pamplona (Colombia), and he regularly works on translations from and to Spanish, English, and French.
Representative conference presentations
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March 2025. NeMLA panel: AI in Second Language Education: Promises, Perils, Paradigms, and Perspectives. Title of paper: “The French interpersonal writing competence with chatbots, an hallucination? Students’ perceptions and ethical considerations.” Presenter and panel co-director.
January 2025. MLA New Orleans. Gamifying Generation Z’s Language Learning: Why, When, How? Online.
December, 12th 2024. ASA Chicago. The letter “C” or the letter “K”?: Reading Tchicaya U Tam’si’s poetry & Kolinga’s Kongo Through Sony Labou Tansi’s Postcolonial Thought.
June 16th, 2024. Association des Professeurs de Français des Universités et Collèges Canadiens colloquium. Montréal, Québec. Title of paper: « ChatGPT, as-tu une conscience ? – Comprendre les limites de ChatGPT pour l’écriture. »
March 7-10th, 2024. NeMLA. Boston, MA. Roundtable organized: Rethinking the Modern Language Curriculum: SLA, Technology, and Culture. Title of paper: Rethinking Grading Systems.
February 21-25th, 2024. 20th-21st century French & Francophone Studies Colloquium. Philadelphia, PA. “Indépendance Cha Cha”, From Grand Kalle to Baloji: Manifest of a Rising Kongo Youth.
December 2nd, 2023. 66th Annual Meeting of the African Studies Association (ASA). Presentation with Congo Research Network. Presentation of forthcoming publication. San Francisco, CA. Title of paper: Seeing Central African Renaissance in Baloji’s Peau de Chagrin/Bleu de Nuit.
May 2023. 48th Annual Meeting of the African Literature Association (ALA). Knoxville, TN. Title of Paper: Kolinga’s “Kongo” as transnationalist discourse.
April 2023. Winthrop-King Conference: Writing the first peoples of the Americas: Quebec, Florida, Amazonia, the Caribbean. Florida State University, Tallahassee, FL. Title of Paper: Are Amazonian realities translatable in text?
March 2023. NeMLA’s 54th Annual Convention. Niagara Falls, NY. Title of paper: What’s in a grade? The fight against Eff Gradus: A gamified approach to teach lower-level French.
November 2022. 65th annual meeting of the African Studies Association. Philadelphia, PA. Title of paper: Congo in the Caribbean: Examining the Polysemy of Congo Through the Lens of Cross-Atlantic thinking.
March 2022. Northeastern Modern Language Association 53rd annual convention. Baltimore, MD. Co-Organized panel: Citizenship, Identity, and Belonging in the Francophone World.
Title of paper: One, two, three Congos? Sound and Liquid to de-colonialize Congo.
February 2022. 25th Annual Conference of the Americas. Discussion panel on J.C. Galeano’s movie El Río. Online conference.
July 2021. Central African Studies 2021 International Conference. Theme: Central Africa’s Renaissance, 1960-2020. Title of paper: Baloji’s and Kongo Renaissance through an Analysis of Peau de Chagrin/Bleu de Nuit. Online conference.
March 2021. Northeastern Modern Language Association 52nd annual and first virtual convention. Online conference. Co-organized panel: Aquatic Tropes in Francophone Postcolonial Cultures. Title of paper: Seeing /kongo/ through Baloji’s Peau de Chagrin/Bleu de Nuit.
November 2018. 30th annual conference of the Haitian Studies Association. Port-Au-Prince, Haiti. Organized panel : La voix et la présence de la femme traumatisée : L’entendre chez Danticat, Orcel et Miano ? Title of paper: Deux regards sur le mutisme et la figure de la prostituée – Les immortelles de M. Orcel et Memorias de mis putas tristes de G. García Marquez.
May 2018. 12th Conference of the Hungarian Association for American Studies. Budapest, Hungary. Title of paper: Rethinking Postcolonialism through A. Waberi’s realitopia Aux Etats-Unis d’Afrique.
August 2017. Tenth International Conference of the Mande Studies Association. Grand Bassam, Ivory Coast. Title of paper: Entité et identité(s): le cas de la rumba congolaise.
Published articles
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Finet, Alexis. “El Agua Vive! Visions of the Real in the Peruvian Amazon as seen through J.
- Galeano’s work.” Dispatches from the Poetry Wars, in Commentary, Poetics for the More than Human World. April, 30, 2020. Accessible here.
Finet, Alexis. “Entité(s) et Identité : le cas de la rumba congolaise.” Proceedings of the Tenth
Mandé Studies Association, Conference on Intersecting Identities – Coexistence, Conflict, and Reconciliation in West Africa and Its Diasporas, August 2-6, 2017, Grand-Bassam, Ivory Coast. pp. 403-408.
Published translations
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Finet, Alexis. Translation J.C. Galeano: Aforismos for the UNESCO sponsored event in
France in April 2024 from Spanish to French. Credits here.
Finet, Alexis & Dupuis, Chanelle. Translation of selected poems from (editor) Jeremy
Larochelle’s ¡Más aplausos para la lluvia! from Spanish to English (various authors). The Global South, Vol. 16, n°1, Fall 2023, pp. 81-81, 156-157, 170-171. Available here.
Finet, Alexis & Dupuis, Chanelle. Translation from Spanish to French of the subtitles of Dr.
J.C. Galeano’s movie El Río, selected for the 15th Festival du Film Vert in Lausanne (Switzerland).