Jay Clayton
Chair, Department of English
William R. Kenan, Jr. Professor of English; Professor of Cinema and Media Arts, and Communication of Science, Engineering and Technology
I am a professor of English, Communications of Science and Technology, and Cinema and Media Arts. My courses explore the intersection of literature, new media, and technology, particularly in the areas of artificial intelligence and genetics, and they range from Victorian science fiction to contemporary depictions of robots and clones to narrative in online gaming. My research focuses on collaborative models for the study of literature and film. For more than a decade, I have run a NIH-funded humanities lab that supports 6-8 student researchers each year, who join me in studying the influence of literature, film, television, and social media on public attitudes toward genetics and AI. I am author of four books, five edited collections, and more than 50 articles and chapters, including Literature, Science, and Public Policy: From Darwin to Genomics (Open Access at Cambridge Core) and Charles Dickens in Cyberspace: The Afterlife of the Nineteenth Century in Postmodern Culture (Oxford University Press).
My work has been supported by fellowships and grants from the Guggenheim Foundation, the American Council of Learned Societies, the NIH, and elsewhere. I have served as chair of the English Department in 2000, 2002–2010, and 2025-26; Director of the Curb Center for Art, Enterprise, and Public Policy from 2012-2022; and Acting Chair of the Theatre Department from 2023-24.
Specialization(s)
Victorian literature, digital media, game studies, medical humanities, science and literature, bioethics, science policy
Representative publications
BOOKS
- Literature, Science, and Public Policy: From Darwin to Genomics (Cambridge University Press, 2023). Open Access.
- Charles Dickens in Cyberspace: The Afterlife of the Nineteenth Century in Postmodern Culture (Oxford University Press, 2003)
- The Pleasures of Babel: Contemporary American Literature and Theory (Oxford University Press, 1993)
- Romantic Vision and the Novel (Cambridge University Press, 1987)
EDITED VOLUMES
- Time and the Literary. Ed. with Karen Newman and Marianne Hirsch. (Routledge, 2002)
- Influence and Intertextuality in Literary History. Ed. with Eric Rothstein. (University of Wisconsin Press, 1991)
SELECTED ARTICLES
- “Time Considered as a Helix of Infinite Possibilities,” Medical Humanities 47.2 (2021). Audio preview.
- "The Ridicule of Time: Science Fiction, Bioethics, and the Posthuman," American Literary History
- “The Modern Synthesis: Genetics and Dystopia in the Huxley Circle,” Modernism/modernity
- "Victorian Chimeras, or, What Literature Can Contribute to Genetics Policy Today," New Literary History
- "Genome Time: Post-Darwinism, Then and Now,” Critical Quarterly
- “Frankenstein's Futurity: Clones, Replicants, and Robots" in The Cambridge Companion to Mary Shelley
- “The Dickens Tape: Affect and Sound Technology in ‘The Chimes’,” Essays and Studies
- “Figures In the Corpus: Theories of Influence and Intertextuality,” in Influence and Intertextuality in Literary History
- "Convergence of the Two Cultures: A Geek's Guide to Contemporary Literature,” American Literature
- “Londublin: Dickens's London In Joyce's Dublin,” Novel: A Forum on Fiction
- “Concealed Circuits: Frankenstein's Monster, the Medusa, and the Cyborg,” Raritan
- “Narrative and Theories of Desire,” Critical Inquiry
Awards
- John Simon Guggenheim Fellowship
- ACLS Fellowship
- Suzanne M. Glasscock Humanities Prize for Interdisciplinary Scholarship
- Harvie Branscomb Distinguished Professor Award