Tom Gunning, ӒPrimitive Cinema: A Frame-up Or the Trick�s On Us. Early Cinema: Space, Frame, Narrative. Ed. Thomas Elsaesser. London: BFI, 1990. 95-103.
Length: 9 pages. ISBN: 0-85170-245.
John D. Barlow, Introduction: The Expressionist Sensibility. German Expressionist Film. Boston: Twayne, 1982. 15-26.
Length: 12 pages. No ISBN number. LCCN: 8200-1030.
Sergei Eisenstein, The Dramaturgy of Film Form (The Dialectical Approach to Film Form). S. M. Eisenstein: Selected Works. Vol I. Ed. And trans. Richard Taylor. London: BFI, 1988. 161-180.
Length: 20 pages. ISBN: 0-253-35042-5
Sergei Eisenstein, Methods of Montage. Film Form: Essays in Film Theory. Ed. And trans. Jay Leyda. New York: Hartcourt, Brace & Company, 1949. 72-83.
Length: 12 pages. ISBN: 0-156-30920-3
Douglas Gomery, Tri-Ergon, Tobis Klangfilm, and the Cominf of Sound. Cinema Journal 16.1 (1976): 51-61.
Length: 11 pages. ISSN: 0009-7101.
Noel Burch, Fritz Lang: German Period. Cinema: A Critical Dictionary. Ed. Richard Roud. New York: Viking, 1980. 583-599.
Length: 17 pages. ISBN: 0-670-2257-7
Martin OShaughnessy, Jean Renoir. Manchester and New Yorl: Manchster University Press, Manchester and New York: Manchster University Press, 2000. 1-31.
Length: 32 pages. ISBN: 0-7190-5063-4
Cesare Zavattini, Some Ideas on the Cinema. Film: A Montage of Theories. Ed. Richard Dyer MacCann. New York: Dutton, 1996. 216-228
Length: 13 pages. No ISBN number. LCCN: 6600-3425.
Andre Bazin, An Aesthetic of Reality: Neorealism. What is Cinema? Vol 2. Ed. Hugh Gray. Berkeley: University of California Press, 1971. 16-40.
Length: 25 pages. ISBN: 0-520-02034-0
Tadao Sato, On Kenji Mizoguchi. Film Criticism 4.3 (Spring 1980): 2-16.
Length: 15 pages. Published by Allegheny College. ISSN: 0163-5069.
David Bordwell. The Art Cinema as a Mode of Film Practice. Film Criticism 4.1 (Fall 1979): 56-63.
Length: 9 pages. Published by Allegheny College. ISSN: 0163-5069.
Jim Hillier, Introduction. Cahiers du Cinema: The 1950s. Cambridge: Harvard University Press, 1985. 1-17.
Length: 18 pages. ISBN: 0-674-09060-8.
Tytti Soila et al., Nordic National Cinemas. London: Routledge, 1998. 189-232.
Length: 44 pages. ISBN: 0415081955
Brigitte Peucker. Werner Herzog: In Quest of the Sublime. New German Filmmakers: From Oberhausen through the 1970s. Ed. Klaus Phillips. New York: Ungar, 1984. 168-194.
Length: 27 pages. ISBN: 0804466483.
Fernando Solanas and Octavio Gettino. Towards a Third Cinema. . Movies and Methods. Vol 1. Ed. Bill Nichols. Berkeley: University of California Press, 1976. 44-64.
Length: 21 pages. ISBN: 0-520-03151-2.
Teshome H. Gabriel. Towards a Critical Theory of Third World Films. Questions of Third Cinema. Eds. Jim Pines and Paul Willemen. London: BFI, 1989. 30-52.
Length: 23 pages. ISBN: 0-85170-230-9.
Paulin Soumanou Vierya. African Cinema: Solidarity and Difference. Questions of Third Cinema. Eds. Jim Pines and Paul Willemen. London: BFI, 1989. 195-198.
Length: 4 pages. ISBN: 0-85170-230-9.
Lucy Fischer, Xala: A Study in Black Humor. Millenium Film Journal 7/8/9 (Fall/Winter 1980-81): 165-172.
Length: 8 pages. Published by Millenium Film Workshop. ISSN: 1064-5586.
Tony Williams, Space, Place and Spectacle: The Crisis Cinema of John Woo. Cinema Journal 36.2 (Winter 1997): 67-84.
Length: a8 pages. Published by the University of Texas Press. ISSN: 0009-7101.