Bibliographic Info for History of World Cinema Reader

 

Tom Gunning, Ó’Primitive Cinema: A Frame-up Or the Trick’s On Us.” Early Cinema: Space, Frame, Narrative. Ed. Thomas Elsaesser. London: BFI, 1990. 95-103.

Length: 9 pages. ISBN: 0-85170-245.

 

John D. Barlow, “Introduction: The Expressionist Sensibility.” German Expressionist Film. Boston: Twayne, 1982. 15-26.

            Length: 12 pages. No ISBN number. LCCN: 8200-1030.

 

Sergei Eisenstein, “The Dramaturgy of Film Form (The Dialectical Approach to Film Form).”  S. M. Eisenstein: Selected Works. Vol I. Ed. And trans. Richard Taylor. London: BFI, 1988. 161-180.

            Length: 20 pages. ISBN: 0-253-35042-5

 

Sergei Eisenstein, “Methods of Montage.” Film Form: Essays in Film Theory. Ed. And trans. Jay Leyda. New York: Hartcourt, Brace & Company, 1949. 72-83.

            Length: 12 pages. ISBN: 0-156-30920-3

 

Douglas Gomery, “Tri-Ergon, Tobis Klangfilm, and the Cominf of Sound.” Cinema Journal 16.1 (1976): 51-61.

            Length: 11 pages. ISSN: 0009-7101.

 

Noel Burch, “Fritz Lang: German Period.” Cinema: A Critical Dictionary. Ed. Richard Roud. New York: Viking, 1980. 583-599.

            Length: 17 pages. ISBN: 0-670-2257-7

 

Martin OÂ’Shaughnessy, Jean Renoir. Manchester and New Yorl: Manchster University Press, Manchester and New York: Manchster University Press, 2000. 1-31.

            Length: 32 pages. ISBN: 0-7190-5063-4

 

Cesare Zavattini, “Some Ideas on the Cinema.” Film: A Montage of Theories. Ed. Richard Dyer MacCann. New York: Dutton, 1996. 216-228

            Length: 13 pages. No ISBN number. LCCN: 6600-3425.

 

Andre Bazin, “An Aesthetic of Reality: Neorealism.” What is Cinema? Vol 2. Ed. Hugh Gray. Berkeley: University of California Press, 1971. 16-40.

            Length: 25 pages. ISBN: 0-520-02034-0

 

Tadao Sato, “On Kenji Mizoguchi.” Film Criticism 4.3 (Spring 1980): 2-16.

            Length: 15 pages. Published by Allegheny College. ISSN: 0163-5069.

 

David Bordwell. “The Art Cinema as a Mode of Film Practice.” Film Criticism 4.1 (Fall 1979): 56-63.

            Length: 9 pages. Published by Allegheny College. ISSN: 0163-5069.

 

Jim Hillier, “Introduction.” Cahiers du Cinema: The 1950s. Cambridge: Harvard University Press, 1985. 1-17.

            Length: 18 pages. ISBN: 0-674-09060-8.

 

Francois Truffaut. “A Certain Tendency of the French Cinema.” Movies and Methods. Vol 1. Ed. Bill Nichols. Berkeley: University of California Press, 1976. 224-237.

            Length: 14 pages. ISBN: 0-520-03151-2.

 

Tytti Soila et al., Nordic National Cinemas. London: Routledge, 1998. 189-232.

            Length: 44 pages. ISBN: 0415081955

 

Brigitte Peucker. “Werner Herzog: In Quest of the Sublime.” New German Filmmakers: From Oberhausen through the 1970s. Ed. Klaus Phillips. New York: Ungar, 1984. 168-194.

            Length: 27 pages. ISBN: 0804466483.

 

Fernando Solanas and Octavio Gettino. “Towards a Third Cinema.” .” Movies and Methods. Vol 1. Ed. Bill Nichols. Berkeley: University of California Press, 1976. 44-64.

            Length: 21 pages. ISBN: 0-520-03151-2.

 

Teshome H. Gabriel. “Towards a Critical Theory of Third World Films.” Questions of Third Cinema. Eds. Jim Pines and Paul Willemen. London: BFI, 1989. 30-52.

            Length: 23 pages. ISBN: 0-85170-230-9.

 

Paulin Soumanou Vierya. “African Cinema: Solidarity and Difference.” Questions of Third Cinema. Eds. Jim Pines and Paul Willemen. London: BFI, 1989. 195-198.

            Length: 4 pages. ISBN: 0-85170-230-9.

 

Frantz Fanon, “On National Culture.” The Wretched of the Earth. New York: Grove Press, 1964. 206-248.

            Length: 43 pages. ISBN: 0-802-15803-7

 

Lucy Fischer, “Xala: A Study in Black Humor.” Millenium Film Journal 7/8/9 (Fall/Winter 1980-81): 165-172.

            Length: 8 pages. Published by Millenium Film Workshop. ISSN: 1064-5586.

 

Andrew Higson, “Re-presenting the National Past: Nostalgia and Pastiche in the Heritage Film.” Fires were Started: British Cinema and Thatcherism. Ed. Lester Friedman. Minneapolis: University of Minnesota Press, 1993. 109-129.

            Length: 21 pages. ISBN: 0816620806

 

Tony Williams, “Space, Place and Spectacle: The Crisis Cinema of John Woo.” Cinema Journal 36.2 (Winter 1997): 67-84.

            Length: a8 pages. Published by the University of Texas Press. ISSN: 0009-7101.