The Renaissance not only defined images as windows onto the real, but understood a window as a reliable tool to map and order the world, as a virtually foolproof interface between dissimilar realities. This seminar traces the curious success story of the window from the Renaissance to the present day in both theoretical and historical terms. We will study a wide range of materials in order to understand the prominent motif of the window in Western literature, painting, and film. We will also examine theories that conceptualize different art forms and media as windows onto the world; that draw our awareness to how poetry, painting, film, the stage, the museum, the television set, and the computer screen structure the observer’s perception and offer different interfaces to reality. Reading poems and prose by authors such as Baudelaire, Gibson, E. T. A. Hoffmann, Kafka, Rilke, and Woolrich; paintings by Delaunay, Dürer, Friedrich, Hesse, Magritte, and Schlemmer; photographs by Steichen, Weston, Evans, Weegee, and Friedlander; films and installations by Bigelow, Hitchcock, Paik,and Popp; and theoretical writing by Alberti, Alpers, Bardini, Bennett, Bolter, Colomina, Friedberg, Gates, Grusin, Manovich, McLuhan, Metz, Mitchell, Moholy-Nagy, Panofsky, Plato, and Wollen.
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