COURSE SCHEDULE
ARES = Available from the Automatic
Reserve System at Washington University
GREEN = Recommended Reading
RED =
Screenings
BLUE =
In-class Screenings (selections)
Week One
(1/16) | Introduction
� A.L. Rees, Expanded Cinema: Art, Performance, Film (1-38,
125-135,160-170,241-251,288-298)
· Anne Friedberg, The Virtual Window (1-48)
· Nam June Paik, Zen for Film (1964)
·
Anthony McCall, Line Describing a Cone (1973)
·
Valie Export, Touch
Cinema (1968)
Week Two
(1/23) | Deep Time, Temporalized Space
· Don DeLillo,
Point Omega (2010)
· Douglas
Gordon, 24 Hour Psycho (1993)
· Kate Mondloch,
Viewing Time [ARES]
· Erwin Panofsky, Style and Medium
in the Motion Pictures [ARES]
Week Three
(1/30) | Theorizing Screen and Installation Art 1 [@ Pulitzer Foundation for
the Arts]
·
Kate
Mondloch, Screens: Viewing Media
Installation Art
·
Claire
Bishop, Installation Art: A Critical
History (6-101) [ARES]
·
Anne
Friedberg, The Virtual Window
(149-180)
·
Teresa Hubbard & Alexander Birchler,
Méliès
(2011)
· Bill
Viola, Ocean without a Shore (2007)
· Nam
June Paik, Venus (2009)
· Sophie
Calle, Take
Care (2007/2012)
Week Four
(2/6) | The Spaces of Art Cinema Today
· Apichatpong Weerasethakul,
Syndromes and a Century (2006)
· Jihoon
Kim, Between Auditorium and Gallery: Perception in Apichatpong
Weerasethakuls Film and Installations [ARES]
· Rosalind Galt and Karl Schoonover, The Impurity of Art
Cinema [ARES]
· David Bordwell, The Art Cinema as
a Mode of Film Practice [ARES]
Week Five (2/13) | 3D Craze
· James Cameron, Avatar (2009)
· Hugo Münsterberg, The Photoplay (1916) (sel) [ARES]
· Andre Bazin The Myth of Total Cinema [ARES]
· Andre Bazin, The Ontology of the
Photographic Image [ARES]
· Ray Zone, 3-D Revolution:
The History of Modern Stereoscopic Cinema (sel) [ARES]
Week Six (2/20) | Cave Cinema
· Werner Herzog, Cave of Forgotten Dreams (2010)
· Thomas Elsaesser and Malte Hagener, Film Theory:
An Introduction through the Senses (sel) [ARES]
· Leo Baudry, Ideological Effects of the
Basic Cinematographic Apparatus (1974) [ARES]
Week Seven (2/27) | Theorizing Screen and
Installation Art 2
· Guiliana Bruno, Public
Intimacy: Architecture and the Visual Arts (ix-xii, 3-87, 163-215)
· Rudolf Arnheim, The Dynamics of Architectural Form (sel) [ARES]
· Teresa
Hubbard & Alexander Birchler, House with Pool (2004)
· Inigo Manglano-Ovalle, Le Baiser / The Kiss (1999)
Week Eight (3/6) | Architecture and
the Spaces of Contemporary Spectacle
· Hal Foster, The Art-Architecture Complex (vii-129)
· Sergei Eisenstein, Montage and Architecture [ARES]
· PROJECT ONE DUE
Week Nine (3/13) | SPRINGBREAK
Week Ten (3/20) | Walking and the
Mobilization of Space
· Janet Cardiff, A Large Slow River (2000)
& The Muenster Walk (1997)
· Francesco Careri, Walkscapes (sel) [ARES]
· Tsai
Ming-Liang, Walker (2012)
Week
Eleven (3/27) | Athletic Figures in Space
· Douglas
Gordon and Phillipe Parreno,
Zidane: A Twenty-First Century Portrait (2006)
· Hans Ulrich Gumbrecht,
In Praise of Athletic Beauty (sel) [ARES]
· Michael Fried, Absorbed in the Action [ARES]
Week Twelve (4/3) | Gaming
· Alexander Galloway, Gaming: Essays on Algorithmic Culture
· Ian Bogost, How to Do Things with Videogames (9-17)
[ARES]
· David Cronenberg, eXistenZ (1999)
Week Thirteen (4/10) | Spaces of
Nostalgia 1
· Tacita Dean, Film (2011)
· Tacita
Dean, Film (sel)
[ARES]
· Tacita Dean, The Green Ray (2001)
· Tsai Ming-Liang, Goodbye Dragon Inn (2003)
· Anne Friedberg, The Virtual Window (191-239)
Week Fourteen
(4/17) | Spaces of Nostalgia 2
· Orhan Pamuk, The Museum of
Innocence
·
Orhan Pamuk, Museums and Novels [ARES]
·
Rosalind Krauss,
The Cultural Logic of the Late Capitalist Museum [ARES]
Week Fifteen
(4/24) | Interfacing the Future
· Alexander Galloway, The
Interface Effect
·
Anne
Friedberg, The Virtual Window
(240-247)