MATERIALS AVAILABLE FROM THE ELECTRONIC RESERVE SYSTEM


Materials marked "ERES" in the course schedule are availabe from the Electronic Reserve System at Washington University. The following texts will be availabe electronically:

  • Barthes, Roland. “Rhetoric of the Image.” Classic Essays on Photography. Ed. Alan Trachtenberg. Chicago: Leete’s Island Books, 1980. 269-85.
  • Baudelaire, Charles. “The Modern Public and Photography.” Classic Essays on Photography. Ed. Alan Trachtenberg. Chicago: Leete’s Island Books, 1980. 83-89.
  • Bazin, André. “The Ontology of the Photographic Image.” Classic Essays on Photography. Ed. Alan Trachtenberg. Chicago: Leete’s Island Books, 1980. 237-44.
  • Benjamin, Walter. “Little History on Photography.” Selected Writings (2). Ed. Marcus Bullock and Michael W. Jennings. Cambridge: Belknap Press, 1999. 507-530.
  • Brinkmann, Rolf Dieter. Rom, Blicke. Reinbek: Rowohlt, 1979. 6-114.
  • Crary, Jonathan. “Modernizing Vision.” Viewing Positions: Ways of Seeing Film. Ed. Linda Williams. New Brunswick: Rutgers University Press, 1995. 23-35.
  • Hirsch, Marianne. Family Frames: Photography, Narrative, and Postmemory. Cambridge: Harvard University Press, 1997. 1-40, 241-68.
  • Holz, Arno and Johannes Schlaf. Papa Hamlet. Trans. Bruno Franzius. Leipzig: C. Reissner, 1889. 73-90.
  • Jünger, Ernst. Der Arbeiter. Hamburg: Hanseatische Verlagsanstalt, 1932. 85-132.
  • ---. “Photography and the Second Consciousness.” Photography in the Modern Era: European Documents and Critical Writings, 1913-1940. Ed. Christopher Phillips. New York: Aperture, 1989. 207-210.
  • ---. “Total Mobilization.” The Heidegger Controversy: A Critical Reader. Ed. and trans. Richard Wolin. New York: Columbia University Press, 1991. 119-39.
  • Keller, Gottfried. Der grüne Heinrich (erste Fassung). Frankfurt am Main: Insel Verlag, 1990. 13-26.
  • Kluge, Alexander. “Der Luftangriff auf Halberstadt am 8. April 1945.” Neue Geschichten. Hefte 1-18. ‘Unheimlichkeit der Zeit.’ Frankfurt am Main: Suhrkamp, 1977. 33-106.
  • Kracauer, Siegfried. “Photography.” Classic Essays on Photography. Ed. Alan Trachtenberg. Chicago: Leete’s Island Books, 1980. 245-68.
  • Krieger, Murray. Ekphrasis: Illusion of the Natural Sign. Baltimore: John Hopkins University Press, 1992. 1-28, 66-90.
  • Mann, Thomas. The Magic Mountain. Trans. John E. Woods. New York: A.A. Knopf, 1995. 217-408.
  • ---. Der Zauberberg. Frankfurt am Main: S. Fischer, 1981. 259-483.
  • Mitchell, W.J.T. Iconology: Image, Text, Ideology. Chicago: University of Chicago Press, 1986. 7-46.
  • Moholy-Nagy, Laszlo. Painting. Photography. Film. Trans. Janet Seligman. Cambridge: M.I.T. Press, 1967.
  • ---. “Photography.” Classic Essays on Photography. Ed. Alan Trachtenberg. Chicago: Leete’s Island Books, 1980. 165-66.
  • Schnurre, Wolfgang. Der Schattenfotograf. München: List, 1981. 9-22.
  • Sobchack, Vivian. “The Scene of the Screen: Envisioning Photographic, Cinematic, and Electronic ‘Presence.’” Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: University of California Press, 2004. 135-62.
  • Sontag, Susan. On Photography. New York: Picador, 1977.
  • Tucholsky, Kurt. “Subway.” Deutschland, Deutschland über Alles. Trans. Anne Halley. Amherst: University of Amherst Press, 1972. 108-109.
  • ---. “Untergrundbahn.” Deutschland, Deutschland über Alles. Berlin: Neuer deutscher Verlag, 1929. 114-15.