PAINT IT BLACK: UNDERSTANDING FILM NOIR

U98 5217 / MLA: Spring 2002

 

Bibliographic Information for Reader

·Â Â Â Â Â Â Â  Naremore, James. “Old is New: Styles of Noir” More than Night: Film Noir in its Contexts. Berkeley: University of California Press, 1998. 167-219. Length: 53 pages. ISBN: 0520212940.

·        Naremore, James. “Modernism and Blood Melodrama.” More than Night: Film Noir in its Contexts. Berkeley: University of California Press, 1998. 40-93. Length: 54 pages. ISBN: 0520212940.

·        Schatz, Thomas. Boom and Bust: The American Cinema in the 1940s. New York: Charles Scribner’s Sons, 1997. 1-7. 79-127. 203-261. 353-394. Length: 158 pages. ISBN: 0684191512.

·        Portuges, Catherine. “Accenting L.A.” Borders, Exiles, Diasporas. Eds. Elazar Barkan and Marie-Denise Shelton. Stanford: Stanford University Press, 1998. 46-57. Length: 12 pages. ISBN: 0804729069.

·        Bordwell, David. “The Classical Hollywood Style.” The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Eds. David Bordwell, Janet Staiger and Kristin Thompson. New York: Columbia Press, 1985. 3-84. Length: 82 pages. ISBN: 0231060556.

·        Britton, Andrew. “Detour.” The Book of Film Noir. Ed. Ian Cameron. New York: Continuum, 1993. 174-183. Length: 10 pages. ISBN: 0-8264-0589-4.

·        Vernet, Marc. “Film Noir on the Edge of Doom.” Shades of Noir. Ed. Joan Copjec. London: Verso, 1993. 1-32. Length: 32 pages. ISBN: 0-86091-625-1.

·        Grist, Leighton. “Out of the Past.” The Book of Film Noir. Ed. Ian Cameron. New York: Continuum, 1993. 203-212. Length: 10 pages. ISBN: 0-8264-0589-4.

·        Thomas, Deborah. “Psychoanalysis and Film Noir.” The Book of Film Noir. Ed. Ian Cameron. New York: Continuum, 1993. 59-70. Length: 12 pages. ISBN: 0-8264-0589-4.

·        Buchsbaum, Jonathan. “Tame Wolves and Phoney Claims: Paranoia and Film Noir.” The Book of Film Noir. Ed. Ian Cameron. New York: Continuum, 1993. 88-97. Length: 10 pages. ISBN: 0-8264-0589-4.

·        Naremore, James. The Magic World of Orson Welles. New York: Oxford University Press, 1978. 175-206. Length: 32 pages. ISBN: 0-19-502303-X.