MATERIALS AVAILABLE FROM THE ELECTRONIC RESERVE SYSTEM


Materials marked "ERES" in the course schedule are availabe from the Electronic Reserve System at Washington University.
The following texts will be availabe electronically:

AKhRR. “Declaration.” Art in Theory (1900-2000). Ed. Charles Harrison and Paul Wood. Oxford: Blackwell Publishing, 2003. 403-04.

---. “The Immediate Tasks of the AKhRR.” Art in Theory (1900-2000). Ed. Charles Harrison and Paul Wood. Oxford: Blackwell Publishing, 2003. 404-06.

Adorno, Theodor and Max Horkheimer. “The Culture Industry: Enlightenment as Mass Deception.” Dialectic of Enlightenment. Trans. John Cumming. New York: The Continuum Publishing Company, 1995. 120-167.

ARBKD. “ ‘Manifesto’ and ‘Statutes.’” Art in Theory (1900-2000). Ed. Charles Harrison and Paul Wood. Oxford: Blackwell Publishing, 2003. 408-11.

Baudelaire, Charles. The Painter of Modern Life. Ed. and trans. Jonathan Mayne. New York: Da Capo Press, 1964. 1-21.

---. “To a Woman Passing By.” The Flowers of Evil and Paris Spleen. Trans. William H. Crosby. Brockport: BOA Editions, 1991. 177.

Benjamin, Walter. The Writer of Modern Life. Cambridge: Belkap Press of Harvard University Press, 2006. 27-29, 170-210.

---. “The Storyteller.” The Work of Art in the Age of Mechanical Reproduction.” Illuminations. Ed. Hannah Arendt. Trans. Harry Zohn. New York: Schocken Books, 1969. 83-109.

---. “The Work of Art in the Age of Mechanical Reproduction.” Illuminations. Ed. Hannah Arendt. Trans. Harry Zohn. New York: Schocken Books, 1969. 217-51.

Boccioni, Umberto. “Futurist Painting: Technical Manifesto.” Art in Theory (1900-2000). Ed. Charles Harrison and Paul Wood. Oxford: Blackwell Publishing, 2003. 150-52.

Breton, André. “Manifesto of Surrealism.” Manifestoes of Surrealism. Ann Arbor: University of Michigan, 1986. 3-47.

Bürger, Peter. Theory of the Avant-Garde. Trans. Michael Shaw. Minneapolis: University of Minnesota Press, 1984. 3-34.

Eisenstein, Sergei. “Beyond the Shot.” Film Theory and Criticism (6th Edition). Ed. Leo Braudy and Marshall Cohen. Oxford: Oxford University Press, 2004. 13-23.

---. “The Dramaturgy of Film Form.” Film Theory and Criticism (6th Edition). Ed. Leo Braudy and Marshall Cohen. Oxford: Oxford University Press, 2004. 23-31.
Greenberg, Clement. “Avant-Garde and Kitsch.” Art in Theory (1900-2000). Ed. Charles Harrison and Paul Wood. Oxford: Blackwell Publishing, 2003. 539-49.

Harrison, Andrew. “Italian Futurism.” Encyclopedia of Literary Modernism. Ed. Paul Poplawski. Westport: Greenwood Press, 2003. 155-56.

Harrison, Charles. “Modernism.” Critical Terms for Art History. Ed. Robert Nelson and Richard Schiff. Chicago: University of Chicago Press, 2003. 188-201.

Hülsenbeck, Richard. “En Avant Dada.” Art in Theory (1900-2000). Ed. Charles Harrison and Paul Wood. Oxford: Blackwell Publishing, 2003. 260-63.

Hülsenbeck, Richard and Raoul Hausmann. “What is Dadaism and what does it want in Germany?” Art in Theory (1900-2000). Ed. Charles Harrison and Paul Wood. Oxford: Blackwell Publishing, 2003. 259-60.

Jameson, Fredric. “The Cultural Logic of Late Capitalism.” Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke University Press, 1991. 1-54.

Jones, Bethan. “Music.” Encyclopedia of Literary Modernism. Ed. Paul Poplawski. Westport: Greenwood Press, 2003. 267-71.

Krockel, Carl. “German Literary Expressionism.” Encyclopedia of Literary Modernism. Ed. Paul Poplawski. Westport: Greenwood Press, 2003. 99-101.

Lenin, Vladimir Ilyich. “On Proletarian Culture.” Art in Theory (1900-2000). Ed. Charles Harrison and Paul Wood. Oxford: Blackwell Publishing, 2003. 402-03.

Malevich, Kasimir. “From Cubism and Futurism to Suprematism: The New Realism in Painting.” Art in Theory (1900-2000). Ed. Charles Harrison and Paul Wood. Oxford: Blackwell Publishing, 2003. 173-83.

---. “Non-Objective Art and Suprematism.” Art in Theory (1900-2000). Ed. Charles Harrison and Paul Wood. Oxford: Blackwell Publishing, 2003. 292-93.

---. “The Question of Imitative Art.” Art in Theory (1900-2000). Ed. Charles Harrison and Paul Wood. Oxford: Blackwell Publishing, 2003. 293-98.

Marinetti, Filippo Tommaso. “Correction of Proofs Desires.” F.T. Marinetti: Selected Poems and Prose. Ed. Luce Marinetti. Trans. Elizabeth R. Napier and Barbara S. Studholme. New Haven: Yale University Press, 2002. 57-61.

---. “The Foundation and Manifesto of Futurism.” Art in Theory (1900-2000). Ed. Charles Harrison and Paul Wood. Oxford: Blackwell Publishing, 2003. 146-49.

---. “The Mad Traveler.” F.T. Marinetti: Selected Poems and Prose. Ed. Luce Marinetti. Trans. Elizabeth R. Napier and Barbara S. Studholme. New Haven: Yale University Press, 2002. 27-8.

Moholy-Nagy, Laszlo. “Photography.” Classic Essays on Photography. Ed. Alan Trachtenberg, Chicago: Leete’s Island Books, 1980. 165-66.

Morris, Nigel. “Film and Modernism.” Encyclopedia of Literary Modernism. Ed. Paul Poplawski. Westport: Greenwood Press, 2003. 110-19.

Nietzsche, Friedrich. “On the Uses and Disadvantages of History for Life.” Untimely Meditations. Cambridge: Cambridge University Press, 1997. 59-123.

Parkhomenko, M. and A. Myasnikov. Socialist Realism in Literature and Art. Trans. C.V. James. Moscow: Progress Publishers, 1971. 5-21.

Rilke, Rainer Maria. “Archaic Torso of Apollo.” Faint Harps and Silver Voices. Ed. Christopher Middleton. Manchester: Carcanet Press Limited, 2000. 78.

---. “The Panther.” Bestiary: An Anthology of Poems about Animals. Ed. Stephen Mitchell. Berkeley: Frog Limited, 1996. 84.

Rimbaud, Arthur. “The Drunken Boat.” Rimbaud: Complete Works, Selected Letters. Trans. Wallace Fowlie. Chicago: University of Chicago Press, 2005. 129-35.

Rothwell, Andrew. “Dada.” Encyclopedia of Literary Modernism. Ed. Paul Poplawski. Westport: Greenwood Press, 2003. 67-71.

Russolo, Luigi. The Art of Noise. Trans. Robert Filou. New York: The Something Else Press, 1967. 3-15.

Stewart, Jack. “Expressionism.” Encyclopedia of Literary Modernism. Ed. Paul Poplawski. Westport: Greenwood Press, 2003. 95-99.

---. “Futurism.” Encyclopedia of Literary Modernism. Ed. Paul Poplawski. Westport: Greenwood Press, 2003. 151-55.

---. “Impressionism.” Encyclopedia of Literary Modernism. Ed. Paul Poplawski. Westport: Greenwood Press, 2003. 193-96.

---. “Surrealism.” Encyclopedia of Literary Modernism. Ed. Paul Poplawski. Westport: Greenwood Press, 2003. 408-12.

Stokes, John. “Aestheticism.” Encyclopedia of Literature and Criticism. Ed. Martin Coyle et al. New York: Routledge, 1991. 1055-67.

Zhdanov, Andrei. “Speech to the Congress of Soviet Writers.” Art in Theory (1900-2000). Ed. Charles Harrison and Paul Wood. Oxford: Blackwell Publishing, 2003. 426-29.