Robert Panico
11-11-08
Thought
Paper
Wenders�s Windshields
Alice Kuzniar begins her essay
with a reference to Jean Baudrillard. He theorizes
that the rearview mirror of a car encapsulates the American fixation with hyperreality. The mirror distorts reality through its
convex design, giving the impression of a faster speed of the car. This also
reflects (no pun intended) the distortion of cinema itself via the camera lens.
Kuzniar then postulates that car mirrors and windshields act as framed screens
or television sets in Wenders films with images
flashing on them.
Wenders has a obsession with the cold and distant mindset that has
spurred from the use of television and its distortion of reality. In his films,
he typically has main characters that are so estranged from reality and
interaction with others that the windscreens of their cars serve not only as
their focus, but their only method of experiencing reality. Evidence of this
appears in Alice in the Cities when
Alice and Philip hold up a photograph of the house theyve been searching for
and see a mirrored image through the windshield. In other films such as Tokyo-Ga, a
television set propped next to a windshield aligns the two with flat image much
like Alice.
Kuzniar cites Wenders
himself about his theory on America and its fascination with images. To him,
his characters sit much like a theater patron, experiencing the unfolding
images without interaction. This illustrates what Wenders
claims is a negative effect of technological revolutions, causing people to
lose touch with reality and rely on pure, impersonal image.
Questions:
·
To what degree is our
culture trapped in Wenderss nightmare as he
theorizes?