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Materials marked "ERES" in the course schedule are availabe
from the Electronic Reserve
System at Washington University. The following texts will be
availabe electronically:
- Siegfried Kracauer, "Montage." From Caligari to Hitler:
A Psychological History of German Film. Princeton: Princeton University
Press, 1947. 181-189.
- Anton Kaes, "The Cold Gaze: Notes on Mobilization and Modernity."
New German Critique 59 (1993): 105-117.
- Ernst Jünger, "Total Mobilization." Trans. Richard
Wolin. The Heidegger Controversy: A Critical Reader. Ed. Richard
Wolin. New York: Columbia University Press, 1991. 119-139.
- Ernst Jünger, "Photography and the ‘Second Consciousness’:
An Excerpt from ‘On Pain’." Trans. Joel Agee. Photography
in the Modern Era: European Documents and Critical Writings, 1913-1940.
Ed. Christopher Phillips. New York: Metropolitan Museum of Art / Aperture,
1989. 000-000.
- Michel Foucault, "The Eye of Power." CTRL [SPACE]:
Rhetorics of Surveillance from Bentham to Big Brother. Karlsruhe:
ZKM, 2002. 94-101.
- Peter Weibel, "Pleasure and the Panoptic Principle."
CTRL [SPACE]: Rhetorics of Surveillance from Bentham to Big Brother.
Karlsruhe: ZKM, 2002. 206-223.
- Lev Manovich, "Modern Surveillance Machines: Perspective, Radar,
3-D Computer Graphics, and Computer Vision." CTRL [SPACE]:
Rhetorics of Surveillance from Bentham to Big Brother. Karlsruhe:
ZKM, 2002. 382-395.
- Claudia Gorbman, "Film Music." The Oxford Guide to Film
Studies. Eds. John Hill and Pamela Church Gibson. Oxford: Oxford
University Press, 1998. 43-49.
- Giorgio Agamben, "Der Ausnahmezustand als Paradigma des Regierens."
Ausnahmezustand. Frankfurt a. M.: Suhrkamp, 2004. 7-41.
- Carl Schmitt, "Definitions of Sovereignty." Political
Theology: Four Chapters on the Concept of Sovereignty. Trans. George
Schwab. Cambridge, Mass.: MIT Press, 1988. 5-15.
- Anton Kaes, "Lang’s Fury and the Cinema of Exile."
New German Critique 89 (Spring/Summer 2003): 33-58.
- Stephen Crofts, "Authorship and Hollywood." The Oxford
Guide to Film Studies. Eds. John Hill and Pamela Church Gibson.
Oxford: Oxford University Press, 1998. 310-324.
- Tom Gunning, The Films of Fritz Lang: Allegories of Vision and
Modernity. London: BFI, 2000. 1-11 & 307-339.
- Rick Altman, Film / Genre. London: BFI, 1999. 1-29.
- Gerd Gemünden, "From ‘Mr. M’ to ‘Mr.
Murder’: Peter Lorre and the Actor in Exile." Light
Motives: German Popular Film in Perspective. Eds. Randall Halle
and Margaret McCarthy. Detroit: Wayne State University Press, 2003.
85-107.
- Hamid Naficy, An Accented Cinema: Exile and Diasporic Filmmaking.
Princeton: Princeton University Press, 2001. 10-39.
- Paul McDonald, "Film Acting." The Oxford Guide to Film
Studies. Eds. John Hill and Pamela Church Gibson. Oxford: Oxford
University Press, 1998. 30-35.
- Siegfried Kracauer, "Introduction" & "Murderer
Among Us." From Caligari to Hitler: A Psychological History
of German Film. Princeton: Princeton University Press, 1947. 3-11
&.215-222.
- Thomas Elsaesser, "Introduction: Weimar Cinema’s impersonations"
& "Expressionist film or Weimar cinema? With Siegfried Kracauer
and Lotte Eisner (once more) to the movies." Weimar Cinema
and After: Germany’s Historical Imaginary. London: Routledge,
2000. 3-17 & 18-60.
- Tom Gunning, "Film History and Film Analysis: The Individual
Film in the Course of Time." Wide Angle 12.3 (1990): 4-19.
- Dudley Andrew, "Film and history." The Oxford Guide
to Film Studies. Eds. John Hill and Pamela Church Gibson. Oxford:
Oxford University Press, 1998. 176-189.
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