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Materials marked "ERES" in the course schedule are availabe
from the Electronic Reserve
System at Washington University. The following texts will be
availabe electronically:
- Danusia Stock, Kieslowski on Kieslowski.
London: Faber and Faber, 1993. 143-159.
- Slavoj Zizek, “Displaced Commandments.” The Fright
of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory.
London: BFI, 2001. 118-119.
- Danusia Stock, Kieslowski on Kieslowski.
London: Faber and Faber, 1993. 172-203.
- Marek Haltof, Polish National Cinema.
New York: Berghahn Books, 2002. 146-206.
- Danusia Stock, Kieslowski on Kieslowski.
London: Faber and Faber, 1993. 212-228.
- Phil Powrie, “Heritage, History, and ‘New
Realism’: French Cinema in the 1990s.” French Cinema
in the 1990s: Continuity and Difference. Ed. Phil Powrie (Oxford:
Oxford University Press, 1999. 1-21.
- Julia Dobson, ”Nationality, Authenticity,
Reflexivity: Kieslowski’s Trois coleurs: Bleu (1993), Blanc (1993),
and Rouge (1994).” French Cinema in the 1990s: Continuity
and Difference. Ed. Phil Powrie (Oxford: Oxford University Press,
1999. 234-245.
- Mette Hjort and Ib Bondebjerg, “Danish
Cinema: A Small Nation in a Global Culture.” The Danish Directors:
Dialogues on a Contemporary National Cinema. Eds. Mette Hjort and
Ib Bondebjerg. Bristol: Intellect Books, 2001. 8-22.
- Stephen Crofts, “Concepts of National
Cinema.” The Oxford Guide to Film Studies. Eds. John
Hill and Pamela Church Gibson. Oxford: Oxford University Press, 1998.
385-394.
- Ginette Vincendeau, “Issues in European
Cinema.” The Oxford Guide to Film Studies. Eds. John
Hill and Pamela Church Gibson. Oxford: Oxford University Press, 1998.
440-448.
- “The Manifesto” & “The
Vow of Chastity.” Digital Babylon: Hollywood, Indiewood &
Dogme 95. Ed. Shari Roman. Hollywood: Ifilm Publishing, 2001. 40-41.
- “Cinema Purite.” Digital Babylon:
Hollywood, Indiewood & Dogme 95. Ed. Shari Roman. Hollywood:
Ifilm Publishing, 2001. 217-222.
- Rick Altman, The American Film Musical.
Bloomington: Indiana University Press, 1987. 16-27 & 59-80.
- Thomas Elsaesser, “German Cinema in the
1990s.” The BFI Companion to German Cinema. Ed. Thomas
Elsaesser. London: BFI, 1999. 3-16.
- “Tom Tykwer.” The BFI Companion
to German Cinema. Ed. Thomas Elsaesser. London: BFI, 1999. 238.
- Susan Sontag, “In Plato’s Cave.”
On Photography. New York: Picador, 1990. 1-24.
- Lev Manovich, “The New Language of Cinema.”
The Language of New Media. Cambridge, Mass: MIT Press, 2000.
309-333.
- A. L. Rees, A History of Experimental Film
and Video. London: BFI, 1999. 1-14.
- “Distribution,” “Exhibition,”
“Export,” “Production.” The BFI Companion
to German Cinema. Ed. Thomas Elsaesser. London: BFI, 1999. 67-68,
80-82, 82-84, 194-197.
- Murray Smith, “Modernism and the avant-gardes.”
The Oxford Guide to Film Studies. Eds. John Hill and Pamela Church
Gibson. Oxford: Oxford University Press, 1998. 395-412.
- John Hill, “Film and postmodernism.”
The Oxford Guide to Film Studies. Eds. John Hill and Pamela
Church Gibson. Oxford: Oxford University Press, 1998. 96-105.
- Slavoj Zizek, “Run, Witek, Run.”
The Fright of Real Tears: Krzysztof Kieslowski between Theory and
Post-Theory. London: BFI, 2001. 78-92.
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