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Robert Mode

Associate Professor

Ph.D., University of Michigan
Italian Renaissance and British Art

Robert Mode specializes in Italian Renaissance and British art.  He is working on Hogarth's The Enraged Musician, as well as the Raphaelites–a study of the "Raphael paradigm" in early modern art theory and practice. His publications appear in Art Bulletin and Burlington Magazine. He also pursues public art issues with the Vanderbilt Institute for Public Policy Studies and the Curb Center for Art, Enterprise, and Public Policy.