{"id":2414,"date":"2025-02-19T03:07:33","date_gmt":"2025-02-19T03:07:33","guid":{"rendered":"https:\/\/as.vanderbilt.edu\/clacx\/?page_id=2414"},"modified":"2025-02-19T04:12:28","modified_gmt":"2025-02-19T04:12:28","slug":"programacao-da-conferencia","status":"publish","type":"page","link":"https:\/\/as.vanderbilt.edu\/clacx\/events\/indigital-v-2025\/conferencia-indigital-v-2025\/programacao-da-conferencia\/","title":{"rendered":"Programa\u00e7\u00e3o da confer\u00eancia"},"content":{"rendered":"

Baixe A programa\u00e7\u00e3p da confer\u00eancia aqui\u00a0<\/a><\/h4>\n\n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Programa\u00e7\u00e3o da confer\u00eancia<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Datas<\/td>Localiza\u00e7\u00e3o
\n<\/td>		Endere\u00e7o<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>2\/19 - 2\/20<\/td>Museu Nacional do \u00cdndio Americano<\/td>Fourth St. & Independence Ave., SW
\nWashington, DC 20560<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
2\/19<\/td><\/td><\/td>Boas-vindas e coment\u00e1rios de abertura<\/td><\/td><\/td><\/td>\n<\/tr>\n
QUARTA<\/td><\/td>Tempo de
\napresenta\u00e7\u00e3o<\/td>		Alto-falante<\/td><\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>8:30-9:00 AM<\/td>Cacique Kak\u00eat Bepuneiti Kayap\u00f3 (Aldeia A'Ukre, Terra Ind\u00edgena Kayap\u00f3, Brasil)<\/td><\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Orador principal: Genner Llanes-Ortiz (Bishop's University)<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Tempo de
\napresenta\u00e7\u00e3o<\/td>		<\/td>T\u00edtulo da apresenta\u00e7\u00e3o<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>9:00-10:00 AM<\/td><\/td>Indigenismos digitais: Pr\u00e1ticas e ferramentas para as pr\u00f3ximas 7
\ngera\u00e7\u00f5es<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Painel 1: M\u00eddia ind\u00edgena e IA<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Tempo de
\napresenta\u00e7\u00e3o<\/td>		Alto-falante<\/td>T\u00edtulo da apresenta\u00e7\u00e3o<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>10:00-10:15 AM<\/td>Angelo Baca <\/td>O Futuro da Na\u00e7\u00e3o Navajo, Intelig\u00eancia Artificial e Propriedade
\nIntelectual: Estruturas culturalmente relevantes<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>10:15-10:30 AM<\/td>Thea Pitman<\/td>AIAI: Intelig\u00eancia Artificial, Arte e Indigenismo<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>10:30-10:45 AM<\/td>Melquiades (Kiado)
\nCruz Miguel<\/td>		Empoderamiento digital desde las ra\u00edces: construyendo soberan\u00eda de
\ndatos con comunidades ind\u00edgenas en Oaxaca<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>10:45-11:00 AM<\/td>Rosalba Sotz <\/td>Deepfakes e viol\u00eancia digital: Batsil AI, uma ferramenta para
\nproteger as mulheres ind\u00edgenas ativistas<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>11:00-11:15 AM<\/td>Discuss\u00e3o<\/td><\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>11:30-12:15 PM<\/td><\/td>Passeio pelo NMAI (opcional)<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Intervalo para almo\u00e7o12:30-1:30 PM<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Painel 2: Arquivos e responsabilidade<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Tempo de
\napresenta\u00e7\u00e3o<\/td>		Alto-falante<\/td>T\u00edtulo da apresenta\u00e7\u00e3o<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>13:30-13:45<\/td>Paul Haase<\/td>Construindo um arquivo de filmes ind\u00edgenas na Guatemala: A
\nDecolonial Approach to Audiovisual Heritage (Uma Abordagem
\nDecolonial ao Patrim\u00f4nio Audiovisual)<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>13:45-14:00 <\/td>Omar Navarrete Martinez<\/td>Preservation of Memories of the Sea and the Desert\/ Preserva\u00e7\u00e3o de
\nMem\u00f3rias do Mar e do Deserto<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>14:00-14:15 <\/td>Nirvana Sinti<\/td>Pol\u00edtica P\u00fablica para la Gesti\u00f3n del Patrimonio Audiovisual de los
\nPueblos Ind\u00edgenas de Colombia (PACCPI)<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>14:15-14:30<\/td>Alexandra Halkin & Erica Wortham<\/td>Mantendo a mem\u00f3ria hist\u00f3rica para as gera\u00e7\u00f5es futuras: Como apoiar
\ncole\u00e7\u00f5es anal\u00f3gicas de v\u00eddeos ind\u00edgenas e de ativistas<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>14:30-14:45<\/td>Discuss\u00e3o<\/td><\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Intervalo para caf\u00e9 14:45 - 15:00<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Painel 3: Mesa redonda \"Indigenizando o mundo digital<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Tempo de
\napresenta\u00e7\u00e3o<\/td>		Alto-falante<\/td>T\u00edtulo da apresenta\u00e7\u00e3o<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>15:00-15:45<\/td>Suzan Harjo, Dana Hedgpeth & Mark N. Trahant<\/td>Indigenizando o digital: Falando sobre soberania em dados e
\nconte\u00fado intergeracional<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>15:45-16:30<\/td>Discuss\u00e3o de
\nencerramento e
\nfoto do grupo<\/td>		<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Filme M\u1ebdb\u00eang\u00f4kre-Kayap\u00f3 em destaque na Universidade George Washington<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Tempo de
\napresenta\u00e7\u00e3o<\/td>		Alto-falante<\/td>T\u00edtulo da apresenta\u00e7\u00e3o<\/td>Endere\u00e7o<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>19:30-21:00<\/td>Pat-i Kapay\u00f3 & Simone Giovine<\/td>Exibi\u00e7\u00e3o do filme Kayap\u00f3 e perguntas e respostas<\/td>1957 E St NW
Building Code: 1957
Campus: Foggy Bottom<\/td>		<\/td><\/td>\n<\/tr>\n
2\/20<\/td><\/td><\/td>Discurso de abertura do segundo dia<\/td><\/td><\/td><\/td>\n<\/tr>\n
QUINTA<\/td><\/td>Tempo de
\napresenta\u00e7\u00e3o<\/td>		<\/td><\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>8:30-9:00 AM<\/td><\/td><\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Painel 4: Descoloniza\u00e7\u00e3o de dados<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Tempo de
\napresenta\u00e7\u00e3o<\/td>		Alto-falante<\/td>T\u00edtulo da apresenta\u00e7\u00e3o<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>9:00-9:15 AM<\/td>Laura Zanotti & Emily Col\u00f3n<\/td>Ecologias de m\u00eddia: Sovereignties, Sustainabilities and Self-
\ndetermination (Soberanias, sustentabilidades e autodetermina\u00e7\u00e3o)<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>9:15-9:30 AM<\/td>Ted Hein <\/td>O papel que a m\u00eddia ind\u00edgena desempenha na jornada da Repurpose-IT
\npara descolonizar a tecnologia e a educa\u00e7\u00e3o<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>9:30-9:45 AM<\/td>Gustavo Ulcu\u00e9
\nCampo<\/td>		Observat\u00f3rio de M\u00eddia Ind\u00edgena<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>9:45-10:00 AM<\/td>Roberto Pareja <\/td>Para uma ontologia dos festivais de cinema aut\u00f3ctone de Abya Yala<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>10:00-10:15 AM<\/td>Discuss\u00e3o<\/td><\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Painel 5: Caminhos para a revitaliza\u00e7\u00e3o<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Tempo de
\napresenta\u00e7\u00e3o<\/td>		Alto-falante<\/td>T\u00edtulo da apresenta\u00e7\u00e3o<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>10:15-10:30 AM<\/td>Estela Imigo <\/td>Literatura e arte mapuche por meio do filme m\u00e9dico de Francisco
\nHuichaqueo<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>10:30-10:45 AM<\/td>Tsaywa Samay
\nCa\u00f1amar Maldonado<\/td>		Revitaliza\u00e7\u00e3o da l\u00edngua kichwa: um projeto de resist\u00eancia cultural
\ne empoderamento comunit\u00e1rio por meio da AWAK Academia de Arte e
\nCultura na comunidade kichwa de Camuendo, Equador<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>10:45-11:00 AM<\/td>Roderico Yool D\u00edaz & Emily Gibson Rhyne <\/td>Activando los latidos de Abiayala: comunidad, comunicaci\u00f3n y
\nvideo-puentes \/ Ativando as batidas da Ilha das Tartarugas:
\nComunidade, comunica\u00e7\u00e3o e pontes de v\u00eddeo<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>11:00-11:15 AM<\/td>Discuss\u00e3o<\/td><\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Painel 6: Narrando a autorrepresenta\u00e7\u00e3o<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Tempo de
\napresenta\u00e7\u00e3o<\/td>		Alto-falante<\/td>T\u00edtulo da apresenta\u00e7\u00e3o<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>11:15-11:30 AM<\/td>Silia Moan da Silva<\/td>Voc\u00ea pode me escutar? A rela\u00e7\u00e3o entre os comunicadores xinguanos e
\nseus projetos de vida<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>11:30-11:45 AM<\/td>Peter Baker <\/td>\u00d1awpak: Um Estudo do Novo Cinema Runa-Kichwa do Equador<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>11:45-12:00 PM<\/td>Andr\u00e9 Lopes <\/td>O Coletivo de Cinema Ind\u00edgena Ij\u00e3 Mytyli como um experimento de
\nantropologia compartilhada<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>12:00-12:15 PM<\/td>Discuss\u00e3o<\/td><\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Pausa para o almo\u00e7o 12h15 \u00e0s 13h15<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Painel 7: Resist\u00eancia visual, pol\u00edtica e hist\u00f3rias de apagamento<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Tempo de
\napresenta\u00e7\u00e3o<\/td>		Alto-falante<\/td>T\u00edtulo da apresenta\u00e7\u00e3o<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>13:15-13:30<\/td>Gabriel Torrealba
\nAlfonzo<\/td>		Narratividades Enativas: M\u00eddia Kukama e Historicidade do Tempo da Borracha na Amaz\u00f4nia Peruana<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>13:30-13:45<\/td>Vitor Vilaverde
\nDias<\/td>		Da P\u00f3s-Colonialidade e do Projeto Decolonial a uma Estrutura
\nCai\u00e7ara: O Brasil em uma Cosmovis\u00e3o Alternativa<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>13:45-14:00 <\/td>Leah Vonderheide<\/td>Uma est\u00e9tica ind\u00edgena desafiadora: Reapropria\u00e7\u00e3o de tecnologias
\nneocoloniais em 'Mothers of the Land' (\u00c1lvaro e Diego Sarmiento,
\n2019)<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>14:00-14:15 <\/td>Maria Chi-Chable<\/td>Visual Resistance and Cultural Self-Fashioning: A identidade maia
\nnos retratos de Verenice Chal\u00e9 (Kill Beat)<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>14:15-14:30<\/td>Discuss\u00e3o<\/td><\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Painel 8: Forma, meio, est\u00e9tica e m\u00eddia<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Tempo de
\napresenta\u00e7\u00e3o<\/td>		Alto-falante<\/td>T\u00edtulo da apresenta\u00e7\u00e3o<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>14:30-14:45<\/td>Camila Coelho <\/td>Do r\u00e1dio \u00e0 Internet: A mudan\u00e7a de comunica\u00e7\u00e3o para os Kayapos<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>14:45-15:00 <\/td>Richard Pace &
\nMicah Steinborn<\/td>		Existe uma est\u00e9tica de filme\/imagem M\u00eab\u00eang\u00f4kre-Kayap\u00f3? Descobertas
\nde filmes tradicionais e experimentais, YouTube, Facebook, TikTok
\ne Instagram<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>15:00-15:15<\/td>Lorena Ojeda-
\nDavila<\/td>		Las artesanas y las redes sociales: procesos de resistencia y
\nempoderamiento entre las mujeres pur\u00e9pechas.<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>15:15-15:30<\/td>Alberto Cuevas
\nMart\u00ednez<\/td>		\"Los medios de comunicaci\u00f3n intercultural en M\u00e9xico, \u00bfuna
\ntecnolog\u00eda social?\"<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>15:30-15:45<\/td>Discuss\u00e3o<\/td><\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Intervalo para caf\u00e9 15:45 - 16:00<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Painel 9: Hist\u00f3rias Soberanas, Futuros Soberanos<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Tempo de
\napresenta\u00e7\u00e3o<\/td>		Alto-falante<\/td>T\u00edtulo da apresenta\u00e7\u00e3o<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>16:00-16:15<\/td>Manuel Antonio Carri\u00f3n Lira<\/td>Proyectando el funeral de un Estado Naci\u00f3n: Ajustes Mapul\u00e9cticos
\nen Chileyem, un Programa de Video Experimental Mapuche (2020)<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>16:15-16:30<\/td>Miguel Imbaquingo
\nChimarro<\/td>		Historias en Resistencia - Hist\u00f3rias em resist\u00eancia<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>16:30-16:45 <\/td>Amalia Cordova <\/td>Brinde ao Frames of Resistance: Lan\u00e7amento do livro The Cinemas of
\nAbya Yala<\/td>		<\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>16:45-17:00 <\/td>Discuss\u00e3o<\/td><\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Discuss\u00e3o de encerramento<\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>Tempo de
\napresenta\u00e7\u00e3o<\/td>		<\/td><\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>17:00-17:30<\/td><\/td><\/td><\/td><\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n","protected":false},"excerpt":{"rendered":"

Baixe A programa\u00e7\u00e3p da confer\u00eancia aqui\u00a0<\/p>\n","protected":false},"author":184,"featured_media":0,"parent":2370,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/as.vanderbilt.edu\/clacx\/wp-json\/wp\/v2\/pages\/2414"}],"collection":[{"href":"https:\/\/as.vanderbilt.edu\/clacx\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/as.vanderbilt.edu\/clacx\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/as.vanderbilt.edu\/clacx\/wp-json\/wp\/v2\/users\/184"}],"replies":[{"embeddable":true,"href":"https:\/\/as.vanderbilt.edu\/clacx\/wp-json\/wp\/v2\/comments?post=2414"}],"version-history":[{"count":7,"href":"https:\/\/as.vanderbilt.edu\/clacx\/wp-json\/wp\/v2\/pages\/2414\/revisions"}],"predecessor-version":[{"id":2448,"href":"https:\/\/as.vanderbilt.edu\/clacx\/wp-json\/wp\/v2\/pages\/2414\/revisions\/2448"}],"up":[{"embeddable":true,"href":"https:\/\/as.vanderbilt.edu\/clacx\/wp-json\/wp\/v2\/pages\/2370"}],"wp:attachment":[{"href":"https:\/\/as.vanderbilt.edu\/clacx\/wp-json\/wp\/v2\/media?parent=2414"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/as.vanderbilt.edu\/clacx\/wp-json\/wp\/v2\/tags?post=2414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}