{"id":2596,"date":"2026-05-05T16:52:47","date_gmt":"2026-05-05T16:52:47","guid":{"rendered":"https:\/\/as.vanderbilt.edu\/art\/?p=2596"},"modified":"2026-05-05T16:55:46","modified_gmt":"2026-05-05T16:55:46","slug":"resonance-a-bridge-between-nashville-and-venice","status":"publish","type":"post","link":"https:\/\/as.vanderbilt.edu\/art\/resonance-a-bridge-between-nashville-and-venice\/","title":{"rendered":"Resonance &#8211;  A Bridge Between Nashville and Venice"},"content":{"rendered":"<blockquote><p><em>Resonance &#8211; an invitation to gather, to commune with, to listen deeply &#8211; for artists, curators, poets, performers, and scholars whose voices and perspectives resonate across time and geographies.<\/em><\/p><\/blockquote>\n<figure id=\"attachment_2595\" aria-describedby=\"caption-attachment-2595\" style=\"width: 750px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" class=\"size-large wp-image-2595\" src=\"https:\/\/as.vanderbilt.edu\/art\/wp-content\/uploads\/sites\/59\/2026\/05\/Resonace-announcement-tile-1024x746.jpg\" alt=\"\" width=\"750\" height=\"546\" srcset=\"https:\/\/as.vanderbilt.edu\/art\/wp-content\/uploads\/sites\/59\/2026\/05\/Resonace-announcement-tile-1024x746.jpg 1024w, https:\/\/as.vanderbilt.edu\/art\/wp-content\/uploads\/sites\/59\/2026\/05\/Resonace-announcement-tile-300x218.jpg 300w, https:\/\/as.vanderbilt.edu\/art\/wp-content\/uploads\/sites\/59\/2026\/05\/Resonace-announcement-tile-768x559.jpg 768w, https:\/\/as.vanderbilt.edu\/art\/wp-content\/uploads\/sites\/59\/2026\/05\/Resonace-announcement-tile-1536x1118.jpg 1536w, https:\/\/as.vanderbilt.edu\/art\/wp-content\/uploads\/sites\/59\/2026\/05\/Resonace-announcement-tile-2048x1491.jpg 2048w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-2595\" class=\"wp-caption-text\">Resonance: Vanderbilt University in Venice poster, 2026<\/figcaption><\/figure>\n<p>Extended from their participation in the 61st La Biennale di Venezia by Koyo Kouoh, Vanderbilt University faculty Mar\u00eda Magdalena Campos-Pons and Kamal Malak will facilitate a university-sponsored dialogue series about the global future of art. (Vanderbilt University News, April 13, 2026)<\/p>\n<p>In collaboration with the Engine for Art, Democracy &amp; Justice (EADJ) program, Vanderbilt will host \u00a0<em>Resonance<\/em>, a palazzo-based laboratory of ideas and art through exhibitions and public programming at Fondazione Giorgio e Armanda Marchesani in Venice, Italy.<\/p>\n<p>Resonance will reimagine the palazetto into a living forum where ideas, artisitic practice, and dialogue unfold over a season of performances, sonic sessions and poetic encounters, conversations and gatherings.<\/p>\n<p>Resonance opens May 10, 2026 and will offer programming and an exhibition through July 10, 2026.<\/p>\n<hr \/>\n<h2>The team behind this event include:<\/h2>\n<figure style=\"width: 400px\" class=\"wp-caption alignright\"><img loading=\"lazy\" src=\"https:\/\/cdn.vanderbilt.edu\/vu-news\/files\/20260413155842\/20260410JR251-400x600.jpg\" alt=\"\" width=\"400\" height=\"600\" \/><figcaption class=\"wp-caption-text\">Art Professor Mar\u00eda Magdalena Campos-Pons and Artist in Residence Kamaal Malak prepare for Vanderbilt in Venice. (John Russell\/Vanderbilt University)<\/figcaption><\/figure>\n<p><strong>Artistic Directors:<\/strong><br \/>\nMar\u00eda Magdalena Campos-Pons<br \/>\nKamal Malak<\/p>\n<p><strong>Curators:<\/strong><br \/>\nGrace Aneiza Ali<br \/>\nSelene Wendt<\/p>\n<p><strong>The Engine for Art, Democracy &amp; Justice (EADJ) TEAM:<\/strong><\/p>\n<p>The Engine for Art, Democracy, and Justice is a trans-institutional research initiative founded by Dr. Mar\u00eda Magdalena Campos-Pons. It is an ongoing collaboration between <a href=\"https:\/\/www.fisk.edu\/\" target=\"_blank\" rel=\"noopener noreferrer\">Fisk University<\/a>, the\u00a0<a href=\"https:\/\/fristartmuseum.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Frist Art Museum<\/a>,\u00a0<a href=\"https:\/\/millionsofconversations.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Millions of Conversations<\/a>, and\u00a0<a href=\"https:\/\/www.vanderbilt.edu\/\">Vanderbilt University<\/a> that explores creative approaches to living together in the South(s).<\/p>\n<p><strong>The Team<\/strong><br \/>\nDanielle Myers<br \/>\nTaylor Raboin<br \/>\nSimon Tatum<\/p>\n<p><strong>Contributing artists in the Resonance Exhibition:<\/strong><br \/>\nGeorges Ad\u00e9agbo \u00b7 Luis Manuel Otero Alc\u00e1ntara \u00b7 August\u00edn Drake Aldama (1934-2022 ) \u00b7 Alex Blau \u00b7 Frank Bowling \u00b7 LeXander Bryant \u00b7 Ambreen Butt \u00b7 Lakesha Calvin \u00b7 Maurizio Cannavacciuolo \u00b7 Javier Castro \u00b7 Christopher Cozier \u00b7 Patrick DeGuira \u00b7 Zach Duensing \u00b7 Jeannette Ehlers \u00b7 Adama Delphine Fawundu \u00b7 Raheleh Filsoofi \u00b7LiFran Fort \u00b7 Donald Guevara \u00b7 Jana Harper \u00b7 Alicia Henry (1966-2024) \u00b7 Mark Hosford \u00b7 Jessica Ingram \u00b7 Naiza Khan \u00b7 Guido Llin\u00e1s (1923-2005) \u00b7 Hung Liu (1948-2021) \u00b7 James Makuac \u00b7 Aurora Molina \u00b7 A\u00efda Muluneh \u00b7 Danielle Myers \u00b7 Olu Oguibe \u00b7 Maggie Otieno \u00b7 Jerry Phillips \u00b7 Vesna Pavlovi\u0107 \u00b7 Dawit L. Petros\u00a0 \u00b7 Taylor Raboin \u00b7 Tamara Reynolds \u00b7 Mason Richards \u00b7 Evelyn Rydz \u00b7 Jamaal Sheats \u00b7 Ming Smith \u00b7 Simon Tatum \u00b7 Mouminatou Thiaw \u00b7 Vadis Turner \u00b7 Antonio Vidal \u00b7 John Warren \u00b7 Carrie Mae Weems \u00b7 Deborah Willis<\/p>\n<p><strong>Participants, Performers &amp; Speakers:<\/strong><br \/>\nSamuel Alexander \u00b7 Molly Barth \u00b7 Aruna D\u2019Souza \u00b7 Salah Hassan \u00b7 Lutz Koepnick \u00b7 Stephan K\u00f6hler \u00b7 Siddartha Mitter \u00b7 T\u00e1hila Moss \u00b7 Ricardo Zohn Muldoonon \u00b7 Emiliano Moncada Zohn<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Resonance &#8211; an invitation to gather, to commune with, to listen deeply &#8211; for artists, curators, poets, performers, and scholars whose voices and perspectives resonate across time and geographies. Extended from their participation in the 61st La Biennale di Venezia by Koyo Kouoh, Vanderbilt University faculty Mar\u00eda Magdalena Campos-Pons and Kamal Malak will facilitate a&#8230;<\/p>\n","protected":false},"author":17,"featured_media":2595,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6,3,4],"tags":[8,49,47,5,24,48],"acf":[],"jetpack_featured_media_url":"https:\/\/as.vanderbilt.edu\/art\/wp-content\/uploads\/sites\/59\/2026\/05\/Resonace-announcement-tile-scaled.jpg","_links":{"self":[{"href":"https:\/\/as.vanderbilt.edu\/art\/wp-json\/wp\/v2\/posts\/2596"}],"collection":[{"href":"https:\/\/as.vanderbilt.edu\/art\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/as.vanderbilt.edu\/art\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/as.vanderbilt.edu\/art\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/as.vanderbilt.edu\/art\/wp-json\/wp\/v2\/comments?post=2596"}],"version-history":[{"count":6,"href":"https:\/\/as.vanderbilt.edu\/art\/wp-json\/wp\/v2\/posts\/2596\/revisions"}],"predecessor-version":[{"id":2602,"href":"https:\/\/as.vanderbilt.edu\/art\/wp-json\/wp\/v2\/posts\/2596\/revisions\/2602"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/as.vanderbilt.edu\/art\/wp-json\/wp\/v2\/media\/2595"}],"wp:attachment":[{"href":"https:\/\/as.vanderbilt.edu\/art\/wp-json\/wp\/v2\/media?parent=2596"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/as.vanderbilt.edu\/art\/wp-json\/wp\/v2\/categories?post=2596"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/as.vanderbilt.edu\/art\/wp-json\/wp\/v2\/tags?post=2596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}