Raheleh Filsoofi
Assistant Professor of Art
Secondary appointment, Blair School of Music
Raheleh Filsoofi is an Assistant Professor of Ceramics in the Department of Art at Vanderbilt University, with a secondary appointment at the Blair School of Music. A collector of soil and sound, she is an itinerant artist and community advocate whose work moves across clay, sound, and performance.
Her practice traces movement, migration, and the social conditions that shape belonging. Working with site-specific clay and field recordings, she creates multimedia installations, performances, and dust-based texts that treat earth as both material and archive. Rather than illustrating politics, her work engages it through the body, through sound, and through the residue of place.
Filsoofi has exhibited and performed nationally and internationally, including at the Nasher Museum of Art at Duke University (2026), the Frist Art Museum (2026), Telfair Museums (2025), the Gibbes Museum of Art (2024), Untitled Art (2024), and Sharjah Biennial 15 (2023). She curated the inaugural Clay Performance program at National Council on Education for the Ceramic Arts (NCECA) in 2026, establishing performance as a central mode within the field.
She is the recipient of the United States Artists Fellowship (2026), the NCECA Innovator Award (2025), the National Endowment for the Arts Art Projects Grant (2025), the Joan Mitchell Fellowship (2023), the 1858 Prize for Contemporary Southern Art (2022), and the Southern Prize Tennessee State Fellowship (2021). She received her MFA from Florida Atlantic University and her BFA in Ceramics from Al-Zahra University.
Specializations
Interdisciplinary practice and pedagogy in Ceramics
Representative Publications
Selected Press
Burnaway, "Raheleh Filsoofi’s Deep Listening and Raheleh Filsoofi and Reza Filsoofi’s Listening: The Fourth String at the Ismaili Center", Houston, TX, April 29, 2026 (Online)
The Tennessean, "Nashville's Iranian, Kurdish artists turn feelings into music amid war", March 17, 2026 (Online)
Nashville Scene, " ‘In Her Place’ Doesn’t Make Gender a Genre," March 4, 2026 (Online)
The Tennessean, " ‘In Her Place’: A Curated Exploration of Nashville’s Contemporary Women Artists", February 5, 2026 (Online)
Hyperallergic, "Raheleh Filsoofi: At the Edge of Arrival", September 3, 2025 (Online)
The Art Newspaper, "Raheleh Filsoofi's toothy performance at Untitled Art fair", December 2024 (Online)
Selected Publications
Filsoofi, Raheleh. “Clay in Performance.” NCECA Journal 44 (March): 49. 2026
Filsoofi, Raheleh. “Conclusion.” In Last Artist Standing: Living and Sustaining a Creative Life Over 50, edited by Sharon Louden, 269–273. Bristol, UK: Intellect Books. 2025
Filsoofi, Raheleh. “Transcending the Institutional Archive.” New Suns, April 16. 2025 (Online)